Design at scale
What happens when a sketchbook idea is given the space to become something much bigger? Each year, students from University of the Arts London (UAL) Graduate Diploma Illustration course explore exactly this through the Design-led Murals project with course leader Angela Hogg and Lecturer Rory Wynn, supported by Winsor & Newton. The programme invites emerging artists and designers to move beyond the page and into a public space, transforming creative ideas into large-scale, site-specific artworks. The result? A double-sided campus mural adorned in Galeria Acrylic.
For Winsor & Newton, this an opportunity to support the next generation of creatives to create ambitious work that could otherwise be prohibitive through cost, while showcasing the use of Galeria Acrylic beyond fine art. Bringing together painting and spatial design, it invites students to rethink how acrylic paint can exist today.
The results have been transformative personally and recognised globally. In the case of student and artist Yuanyuan Liu, her 2022 mural won in the Site Specific category of the World Illustration Awards in 2023.
The process
The project’s process is rooted in experimentation and intentionally hands-on. Over the course of three weeks, the students undergo workshops to develop individual mural proposals. Moving through stages of research, drawing, mixed-media exploration and digital development, they test how ideas evolve using analogue materials before considering the on-site project.
Each artist begins by choosing a personal theme. This is open, and the only requirement is a request that it be positive in content and communicate with an audience. Because the murals remain installed for an extended period, students are encouraged to develop ideas with longevity. Work that rewards repeated viewing and invites interpretation rather than immediate answers.
Students submit a landscape-formatted proposal featuring a rationale and a visual mock-up of the specific site’s wall plan. Rather than approaching murals as freehand paintings, they are encouraged to think like designers: refining concepts, developing proposals and considering how their artwork will communicate in a public setting before any colour touches the walls. The outcome each year sees two selected designs brought to life on campus walls using Winsor & Newton Galeria Acrylic, transforming everyday environments into moments of connection.
The materials
Mark-making, colour and composition are explored using a wide range of graphic media. Students begin experimenting with dry media and move through to water-based, using markers, inks, gouache, pencils, pastels and acrylic.
At the heart of the project is Winsor & Newton Galeria Acrylic. Known for its versatility, colour strength and adaptability across surfaces, the acrylic range becomes more than a painting medium. It’s the perfect tool for tactile experimentation and demonstrating how acrylic can move into spatial design. “I picked up so many practical on-site lessons,” mural artist Ruofei Shao explains, “such as adjusting paint consistency and correcting the subtle colour difference between the palette and how the paint appears on the wall. These small but critical details are things you only encounter when you physically bring a design to life.”
Scaling up
The project introduces students to the realities of working at scale. For many, experiencing an idea transition from paper to wall becomes a pivotal creative moment. “I have created large-scale modern installations before,” Ruofei states, “but this was my first time painting on such a large wall, which was a wonderful new experience.”
Physically translating a concept into a built environment introduces new challenges that can’t be replicated in studio practice alone. “Previously, I mostly produced conceptual designs and rarely had the chance to complete on-site installation, so this hands-on experience is incredibly valuable.” Having an existing smaller-scale design to work from can make the transition feel less daunting, however, and the artists allow time to fix and tweak any issues that arise through upscaling.
Art for public spaces
Creating work that goes on to live in the public eye is no mean feat. But what makes a piece of art resonate in a shared space?
Mural artist Qianhui Xie explores communication through Common Language, a mural centred on the exchanges between students, teachers and campus staff. “The central theme of my mural project is communication,” says Qianhui. “I was drawn to this everyday yet essential aspect of campus life.” Her mural featured layered translucent colour blocks of contrasting purple and orange to reflect lightness, fluidity and ease. “I aim to enhance the humanistic spirit of the campus and encourage more meaningful, empathetic connections in daily interactions.”
Chairs of Belonging
In the same year Xinyi Liu’s Chairs of Belonging transformed ordinary objects into symbols of inclusion and community. Through a layered arrangement of chairs, the mural invited viewers to reflect on accessibility, diversity and shared experience within creative education.
Everyone can dance
Most recently, in 2025–26 student Zhuoya Wu created Everyone Can Dance, a mural celebrating movement as a universal language. Exploring dance as a form of communication that transcends age, background and ability, the work reflected how creative expression can connect people beyond words.
Supporting creative futures
UAL has long nurtured influential creative talent. Alumni span the worlds of fashion, fine art, illustration and design, including the likes of Gilbert & George, Shantell Martin, Alexander McQueen, Jimmy Choo and Stella McCartney. Through the Galeria Murals project, students are introduced to the realities of professional creative practice they can expect to go on to achieve: responding to a brief, presenting ideas, developing work collaboratively and delivering outcomes at scale.
For Winsor & Newton, the project reflects an ongoing commitment to supporting creative choices and ambitious making. Encouraging emerging talent to think differently about where their work can exist, it helps bridge the gap between studio practice and the real world. Sometimes the biggest creative leap starts with a sketchbook, and ends with the confidence to scale up in a space for all to see.
Previous UAL Graduate Diploma Illustration mural artists:
2019–2020: Vicky Hughes and Alice McGowan
2022: Yuanyuan Liu and Yishi Yang
2023: Jingjng Chen and Xiaohan Zhang
2024: Zhuoya Wu and Shunshun Liu
2025: Xinyi Liu and Qianhui Xie
2026: Violet Holbo and Ruofei Shao
Learn more about our other partnerships and collaborations
International Art Prize
A free to enter open call for drawing and painting running simultaneously across London, New York and Paris, founded by Winsor & Newton and Paul Smith’s Foundation in partnership with ArtReview.
Hospital Rooms
We’re proud to announce an extended partnership with mental health charity Hospital Rooms, who aim to transform mental health treatment spaces by commissioning artists to install artworks, providing a welcoming and dignified environment.
The Drawing Factory
This once-in-a-lifetime artists’ residency took place at The Drawing Factory, in Paris’s vibrant 17th arrondissement, a largely residential area north of the Arc de Triomphe. Artists were invited to occupy five floors of rooms that were repurposed into art studios for six months.
