The artist box set invention designed for on-the-go art

In our Items of Intrigue sessions from the Winsor & Newton archives, we explore William Winsor and Henry Newton’s innovative portable watercolour sets. From water-bottle box sets to pocket-sized palettes,...

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The power of sketchbooking

Sketchbooking is exactly that: filling sketchbooks with doodles, collages, scrapbooking and journaling. But for many creatives it is so much more. A way to release thoughts on paper. A mindful,...

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The twists and turns in developing the Winsor & Newton logo

What’s in a logo? For Winsor & Newton, it is more than just an eye-catching symbol – the logo is a part of history. From the archive, we look at...

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Colour story: Turner's Yellow

Explore the story of Turner's Yellow, a tribute to JMW Turner’s rebellious spirit and revolutionary masterpieces that were shaped by the Industrial Revolution.

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Mummy Brown: The art world’s most morbid medium

Informed by a sample of Mummy Brown from the Winsor & Newton archive, we uncover the pigment’s bizarre and unsettling history, from its origins to its eventual fall from grace.

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Colour story: Permanent Mauve

Did you know that mauve was made by mistake? Discover the pigment’s remarkable story that begins with a humble 15-year-old chemistry student, and goes on to feature high fashion, Oscar...

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'Why I mix oil colour' with Chloe Scott Moncrieff

Chloe Scott Moncrieff tells her own story of why she mixes her oil colours.

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Your top ten watercolour questions answered

In this article, we’ve collated your most popular watercolour questions and answered them all in one handy guide. Bookmark this article for the next time you’re planning to pick up your watercolour...

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Winsor & Newton Archive: Items of Intrigue - Portable paint, from pig bladders to paint tubes

Did you know that artists once used pig bladders to carry paint? In our latest Items of Intrigue session from the archives, we look at the evolution of portable paints,...

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Winsor & Newton Archive: Items of Intrigue – The colour once more valuable than gold

Ultramarine pigment was historically once more valuable than gold. We take a look at its journey from rare gemstone, lapis lazuli, to the advancement made by chemists to create an...

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Colour story: Iron Oxide

Did you know that the iron found in our blood and deep in the Earth’s core is similar to the pigment in Winsor & Newton’s Iron Oxide paint tubes? We...

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