W&N ARTISTS' OIL COLOUR TUBE [COMPOSITE] 37ML WARM BROWN PINK 884955082799.jpg

W&N ARTISTS' OIL COLOUR [SWATCH] WARM BROWN PINK 884955082799

W&N ARTISTS' OIL COLOUR [REDUCTION] WARM BROWN PINK

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Artists' Oil Colour

Warm Brown Pink

A rich brown that offers a depth and warmth unlike any other brown, making it an excellent addition to any palette. Brown pinks were originally prepared from Avignon berries or quercitron bark and would fade considerably like many carbon based pigments. This synthetic inorganic alternative is made from a single pigment with excellent lightfastness

Lemon Yellow Hue

Bismuth Yellow

Winsor Lemon

Cadmium Lemon

Cadmium-Free Lemon

Winsor Yellow

Transparent Yellow

Chrome Yellow Hue

Size: 37ml

37ml

Product variants

£15.60 In stock, ready to ship

Overview

Our Artist's Oil Colour boasts 133 colours, made from only the finest pigments. We carefully formulate each tone for stability, tinting strength and coverage. Use them thickly with palette knives or brushes, or thin them to a very fine glaze.

Specifications

SKU:	884955082799
Color Number:	413
Vehicle Oil:	Linseed Oil/Safflower Oil
Lightfastness:	Very Excellent
Opacity:	Opaque
Series:	2
Pigment Code:	PY164
Permanence:	Permanent

Health and Safety

Download safety data sheet

Product information

All orders will be picked, packed and dispatched within 1 to 2 working days. Orders placed on the weekend or on Bank Holidays, will be processed the next working day.

Please inspect your order upon delivery and, if for any reason you are not satisfied, you may return the product(s) within 28 days of receipt of your order. This applies to all orders placed on WinsorNewton.com. Simply visit our Contact Us Page to start the return process.

Winsor & Newton satisfaction guarantee when buying direct. If for any reason you are not satisfied with a Winsor & Newton product you purchased from winsornewton.com you may request a refund or replacement product within 28-days.

Features

Formulated with the finest pigments for beautiful colours with excellent tinting strength; use thickly or thin to a very fine glaze. Available in 133 colours.

Range of single pigment colours

Our quality standards include the use of single pigments wherever possible to create individual colours. Combined with strength of colour, single pigments ensure clean, accurate mixing to provide you with endless colour possibilities. There are 81 single pigment colours in the range.

The highest quality production methods

Our perfectly formulated, oil paint is only possible with decades of research, expertise, and the highest quality production methods; a precise, scientific process that guarantees that every colour is flawlessly created for the highest quality finish.

Optimal balance of pigment to oil

Every Winsor & Newton Oil Colour is made with fine art pigments and formulated to enhance each pigment’s natural characteristics – providing excellent tinting strength and coverage to ensure every colour performs as it should.

Lightfast and Permanent

So that you can trust in the longevity of your work and leave a lasting impression, oil colours across the ranges have been tested for lightfastness and permanence and boast some of the best ratings (at least AA or A) of any oil paints on the market – truly retaining their brilliance over time.

Oil resources

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Paint Quality (25%): A significant number of customers remarked on the excellent quality of the paint and its high coverage.
Paint Versatility (50%): Many customers expressed appreciation for the excellent quality and versatility of the water mixable oil paints.
Delivery Experience (20%): Many customers remarked that the delivery was excellent and they were very pleased with the product quality and packaging.

Review topics: ["colors","delivery","quality","service","texture","paint","pigment","oils"].

Review highlights

"good quality paint, good coverage, blending, good to use, I enjoy using Winor % Newton oils." — Saba M.
"Extremely high quality paint." — Stu W.
"Ordering direct from them means you get your paints delivered very quickly." — Saba M.

Reviews

The quality of all the

"The quality of all the colors I bought is top-shelf. The colors themselves are alive, which I appreciate very much."

— Todd S. (5/5)

Very happy with price, quality

"Very happy with price, quality and speed of delivery"

— Naomi T. (5/5)

AMAZING

"Perfect texture, quality, and color. Lamp black is exceptional for use in skies due to its blueish bias, when mixed with white. It allows for a simple stormy/gray sky alternative, compared to more rich mixtures. You can make silver out of it too!"

— Corbin C. (5/5)

Rather expensive

"I see that winsornewton professional oils are MUCH more expensive when purchased directly from winsornewton. Example: Cobalt Turquoise Light can be bought for around £16 for a 37ml tube, compare with £28 from winsornewton direct."

— Zoltan M. (2/5)

Amazing Red.

"A Scarlet leaning earthy red. The texture I have come across in my tubes has been somewhat runny, and not ideal, but I believe this to be a rare tube by tube basis, rather than the pigment and quality of the product itself. Great for mixing oranges."

— Corbin C. (5/5)

Its amazing quality!

"Its amazing quality!"

— Isabella D. (5/5)

Beautiful Oils

"Winsor & Newton never fail to provide tubes of paint that exceed my expectations each time I purchase them. They have a wide selection to choose from for primaries, which makes finding a cheaper alternative to one yellow or blue, possible. The affordability is forgiving and ideal for all of humanity. The oil to pigment ratio is ideal for a starting point; oily, but not too stiff either. I enjoy mixing my own paints from raw pigment, but if I had an eternal choice of pre-tubed oils, W&N would be my pick, forever."

— Corbin C. (5/5)

Always a winner from W&N

"I haven't had an opportunity to use this color, but I love the look of it and if it is good enough for James Gurney, it is more than good enough for me. :)"

— Regina T. (5/5)

Very useful.

"I have found raw umber to be of highly good value in making earth, and water, as burnt umber can lean quite red at times, raw umber appears to be a more true neutral."

— Corbin C. (5/5)